Event: single

Mizrah (details)
Bad Mergentheim, 1922
Collection Jewish Museum Munich

Photograph from the series "SONDERBAUTEN: the special block" by Quintan Ana Wikswo, New York
Photo: Quintan Ana Wikswo

Torah shield / tass
Munich, 1865
Master craftsman: Alois Kronenbitter
Gross Family Collection, Tel Aviv

Booth / sukkah
from Baisingen 1900-25
Stadtverwaltung Rottenburg am Neckar

Wednesday, February 27, 2013

A Time for Everything -
Rituals Against Forgetting

February 27 through September 1, 2013


In the course of our lifetime we are confronted with various rites of passage—transitions between two phases or conditions of life. From birth, childhood, school, majority, independence, marriage, and old age, to death, we move from one phase to the next, from one condition to another. In some cases, these transitions are acutely painful; others are especially joyous. To be able to carry through, cope with and canadian viagra and healthcare come to terms with these rites of passage, all cultures have developed specific strategies and order cialis on line rituals and viagra dosage forms continue to do so to this day.


The exhibition “A Time for Everything. Rituals Against Forgetting” is devoted to selected Jewish rites of passage and get cialis prescription their specific implementation as well as their origins and online generic cialis 50 mg meanings. The some 55 objects from public and generic viagra us private collections largely come from the south of Germany. All the rites of passage examined are universal in character—after all “the course of life” poses the same “eternal” questions to all humans and canadian pharmacy cialis has a unique significance for each individual that is not to be forgotten.


Rituals conducted by and cialis drug test in the community are also covered in the exhibition. These are religious rituals recalling events of definitive collective importance, including annual festivals such as Pesach, commemorating the Exodus of the Israelites from Egypt, and other cyclical joint celebrations like Hanukkah (Festival of Lights) or Sukkot (Feast of Booths). What these three festivals have in common is that they all last several days, and as such represent a prolonged passage themselves.
The purpose of many objects used in Jewish liturgy is not immediately obvious to a layperson simply based on their shape and viagra order appearance, as the symbols they bear can only be deciphered within a Jewish commemorative context. This symbolic language is also explained in the exhibition.


Collective secular rituals include those that point to national identity, to the loyal bond to the “fatherland” and its politics. Today, this is largely associated with memories of the Nazi era and viagra prescription the Shoah. Upholding the memory of this trauma is now profoundly ritualized by Jews and cheap viagra pill non-Jews alike. However, even today, one group of victims—sexually exploited women in concentration camps—is still omitted from public commemorative rituals. In her transdisciplinary work, the New York artist Quintan Ana Wikswo has created a rite of passage herself against forgetting through her research, photographic and cialis brand name literary work on the unmarked ruins of the so-called “Sonderbauten” in Dachau—the concentration camp brothel. A selection of 14 of these haunting, large-format photographs presents a challenging contrast to the “innocent” objects and cialis price “rituals against forgetting.”


Curator: Dr. Felicitas Heimann-Jelinek, Vienna


Exhibition design: Martin Kohlbauer, Architect, Vienna